50 Years of Folk: The 2000s

50 Years of Folk

Rooted and Rising

A decade of growth, discovery, and keeping the spirit alive

 

Welcome to Folk Fest in the new millennium! Longtime attendees arrived to find a Festival that had expanded and modernized, welcoming new generations — yet the soul of what made it special still lingered in the air.

While the Festival remained deeply welcoming, it now pulsed with a new energy and scale. Stages grew larger, sound systems louder, and production quality more refined. It looked sharper, sounded bigger, and drew wider crowds — but the organic, handmade spirit was still very much alive.

As always, you showed up, sank into the sun-warmed grass, barefoot and sun-kissed, surrounded by a crowd that felt like family. Blurring the lines of what “folk” meant, the Festival embraced a wider variety of genres: indie, rock, world music, and alternative folk. The discovery factor remained strong with such diversity on the bill. People came for the headliners but left raving about hidden gems stumbled upon at smaller stages. Performers loved how polite, attentive, and open to music the crowd was, making even first-time artists feel like they were part of the family.

While wandering through the Festival, you were greeted by countless volunteers — students, doctors, and retirees — working side by side. Their warmth and dedication made the Festival feel safe. You discovered wide-eyed teens from the new Young Performers Program playing on a small stage. Inspired young musicians finally had the chance to play alongside some of their musical heroes, and you watched as they beamed, earning their first-ever Festival applause.

Individuality was everywhere. Festivalgoers expressed themselves through clothing like colourful bandanas and patchwork skirts — or simply by dancing.

Under the dappled shadows of the trees, you set up camp, grabbed an icy fruit shake from the expanded Food Village, refilled your bottle at a water tap, or submerged yourself directly under the open showers. Festivalgoers always found new ways to stay cool.

By the time the sun went down and headliners emerged, you had a choice: check out a film or DJ at Firefly Palace — the children’s tent transformed into a late-night stage — or stick with Main Stage before heading to the newly introduced after-hours stage back at the Festival campground.

As you weaved through the tents, you probably noticed slightly more volunteer safety folks around, as organizers worked to balance the campground’s free-spirited magic with the realities of a growing event. Still, the space felt otherworldly — where the sound of banjo strings and crackling campfires drifted through the air.

The Festival was looking for harmony — between roots and reinvention. No matter how much it evolved, it still felt like coming home.

Gallery

Check out photos from the past. Click to enlarge the image and get more information.

Photographers:

  • Andru Valpy
  • Angela Browne
  • Ayla Slessor
  • Bert Luit
  • Bryan Scott
  • Cheryl Sluis
  • David Landy
  • David McKnight
  • Denis Buchan
  • Don
  • Greg Winkworth
  • Heather Clark
  • Ian McCausland
  • Jay Jorowski
  • John Prentice
  • Lindsey Bond
  • Lisa Waldner
  • Michael Zajac
  • Ravi Shukla
  • Rich McClear
  • Robert Dall
  • Robert Tinker
  • Rosalyn Dennett
  • Sean McGillivray
  • Tim Beaudry
  • Tutu Ilelaboye

Timeline

Keep scrolling for some select highlights from over the years.

2000

27th Edition – July 6-9

4 Days
8
Stages
33,600+
Attendees
90
Artists
1,372
Volunteers
48
Crews
20
Food Vendors
67
Hand-Made Village Artisans
46 Young Performers
10 Staff

Artistic Director
Pierre Guerin

Executive Director
Trudy Schroeder


  • Thursday night of the Festival opened with a 67-member performance by the Winnipeg Symphony Orchestra.
  • The Young Performers Program begins! This new initiative invites multi-talented musicians aged 14–24 to participate in a two-day mentorship, culminating in a showcase performance at Shady Grove on Friday.
  • This year recorded the most rainfall in the Festival’s 50-year history, with a total of 70mm.
2001

28th Edition – July 5-8

4 Days
8
Stages
39,100+
Attendees
88
Artists
1,572
Volunteers
47
Crews
16
Food Vendors
29
Hand-Made Village Artisans
24 Young Performers
10 Staff

Artistic Director
Rick Fenton

Executive Director
Trudy Schroeder


  • The Winnipeg Folk Festival offices move to their current location on Bannatyne Avenue.
  • New artistic director Rick Fenton curates an all-Canadian Thursday night lineup featuring Sarah Harmer, Cowboy Junkies, and Crash Test Dummies.
  • The Festival launches the Cultural Fusion Incubator Project, pairing musicians from diverse backgrounds into three new bands to write and perform original music.
  • The first Winter Wassail fundraising dinner is held in December to support the Festival.
  • Volunteer numbers break the 1,500 mark, with 47 crews supporting the event.
2002

29th Edition – July 11-14

4 Days
8
Stages
37,800+
Attendees
63
Artists
1,729
Volunteers
49
Crews
15
Food Vendors
41
Hand-Made Village Artisans
25 Young Performers
17 Staff

Artistic Director
Rick Fenton

Executive Director
Trudy Schroeder


  • Artists welcomed this year include Nick Lowe, Ian Tyson, Rokia Traoré, and Nash the Slash, who performed his live soundtrack to Nosferatu in the Festival Campground.
  • The Winnipeg International Children’s Festival brings programming to the Family Area, including Indigenous games.
  • Volunteer numbers surpass 1,700, marking continued growth in the Festival’s support network.
2003

30th Edition – July 10-13

4 Days
8
Stages
40,800+
Attendees
63
Artists
1,798
Volunteers
49
Crews
15
Food Vendors
41
Hand-Made Village Artisans
25 Young Performers
10 Staff

Artistic Director
Rick Fenton

Executive Director
Trudy Schroeder


  • The Festival celebrates its 30th anniversary with a special anniversary tent displaying memorabilia and souvenirs.
  • For the first time, the Festival surpasses 40,000 attendees.
2004

31st Edition – July 8-11

4 Days
8
Stages
42,100+
Attendees
65
Artists
1,899
Volunteers
48
Crews
19
Food Vendors
50
Hand-Made Village Artisans
6 Prairie Outdoor Exhibits
26 Young Performers
13 Staff

Artistic Director
Rick Fenton

Executive Director
Trudy Schroeder


  • All daytime stages are renamed after Manitoba flora and fauna.
  • The Firefly Palace is introduced, screening Winnipeg Film Group productions each evening.
  • The Prairie Outdoor Exhibition debuts, featuring sculptures and mazes from six local artists.
2005

32nd Edition – July 7-10

4 Days
8
Stages
44,800+
Attendees
84
Artists
2,008
Volunteers
49
Crews
19
Food Vendors
50
Hand-Made Village Artisans
9 Prairie Outdoor Exhibits
20 Young Performers
13 Staff

Artistic Director
Chris Frayer

Executive Director
Trudy Schroeder


  • Volunteer numbers hit a record high, surpassing 2,000.
  • The Folk School launches on-site, offering drop-in music lessons.
  • Beloved long-time volunteer photographer David Landy passes away.
  • Young Artists Program begins. The program connects youth visual artists with mentors to create art exhibits around the site. 
2006

33rd Edition – July 6-9

4 Days
8
Stages
45,200+
Attendees
86
Artists
2,012
Volunteers
51
Crews
19
Food Vendors
48
Hand-Made Village Artisans
13 Prairie Outdoor Exhibits
23 Young Performers
13 Staff

Artistic Director
Chris Frayer

Executive Director
Trudy Schroeder


  • The Folk Exchange Store opens on Bannatyne Avenue selling music from Folk Festival alumni and Winnipeg Folk Festival tickets.
  • The Festival rolls out its first official campground rules — “no household furniture” makes the list and remains in place to this day.
  • The Graffiti Gallery and Manitoba Writers’ Guild offer workshops during the Festival weekend.
2007

34th Edition – July 5-8

4 Days
8
Stages
45,000+
Attendees
73
Artists
9 Concerts
2,098
Volunteers
56
Crews
20
Food Vendors
48
Hand-Made Village Artisans
12 Prairie Outdoor Exhibits
30 Young Performers
16 Staff

Artistic Director
Chris Frayer

Executive Director
Trudy Schroeder


  • The year-round concert series becomes a more prominent part of the organization.
  • Festivalgoers are invited to share input on the future of the Festival site, including ideas for permanent structures.
2008

35th Edition – July 10-13

4 Days
8
Stages
45,500+
Attendees
73
Artists
9 Concerts
2,222
Volunteers
60
Crews
24
Food Vendors
49
Hand-Made Village Artisans
16 Prairie Outdoor Exhibits
28 Young Performers
18 Staff

Artistic Director
Chris Frayer

Executive Director
 Trudy Schroeder


  • The Festival celebrates its 35th anniversary.
  • Big Blue @ Night debuts as an alternative to Main Stage programming, and an after-hours stage is added in the campground combining music and visual art.
  • The Graffiti Gallery hosts a life-sized painting workshop on the Sunday of the Festival.
  • Main Stage concerts moved to Green Ash Saturday night, due to wind and rain.  
2009

36th Edition – July 8-12

5 Days
8
Stages
53,800+
Attendees
79
Artists
9 Concerts
2,470
Volunteers
61
Crews
22
Food Vendors
49
Hand-Made Village Artisans
14 Prairie Outdoor Exhibits
32 Young Performers
22 Staff

Artistic Director
Chris Frayer

Executive Director
Tamara Kater


  • Wednesday headliners are introduced, officially extending the Festival to five days.
  • The Festival sets a new record by breaking the 50,000-attendee mark.
  • Major sustainability initiatives launch, including compostable cups at taverns, local and fair-trade food commitments, and repurposed materials for site structures.
  • New Prairie Outdoor Exhibition installations include performances by Winnipeg Contemporary Dancers.
  • The Festival begins planning for large-scale redevelopment of the site.

Through The Years

Explore past Festival posters, program books, and artist lineups.